An 18 hour trip to Iceland to talk to Bjork about her Biophilia project is exhausting, exhilarating and inspiring. The aircraft lands at 1am, when the sun has barely dipped below the Northern mountains. They're silhouetted against an orange glow, and a curious grey light falls across the grey and foreboding lava fields that line the road between Keflavik airport and Reykjavik. A short sleep is followed by a walk through the quiet streets of the Icelandic capital to the modest, black-painted house in which Bjork lives. It's light and airy inside, with Moomin ephemera all over the place, a table and chairs carved from wood, and an oversize Times Atlas Of The World on the floor underneath a well-stocked bookshelf.
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