When pioneering musicians such as Kraftwerk and Brian Eno began experimenting with synthesizers and digital samplers in the 1970s, it was considered avant-garde and confined to niche audiences. It didn’t take long, however, for electronic music to explode in popularity, and today computer-produced music is ubiquitous among many genres and styles. This episode of the Physics World Stories podcast looks at a new trend in its nascent stages – music generated by quantum computers.
The first guest is science writer Philip Ball, who recently attended an improvised musical performance at the Goethe-Institut in London, an experience he described in this Physics World feature. Ball explains why the interface of quantum mechanics and music is interesting from both a scientific an artistic point of view.
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